It's not subtle, it's kinda manipulative, it's screaming at me with stakes and consequences and fears I don't care about, but the pure viciousness of the cast and the little games within games (that are getting much better as we go on) are really fascinating.
I may go back and read the sections that I went through in the anime because I want to see more of the art. It's just getting better and better!! (despite some moments in which they completely forget what a breast is & isn't capable of doing.) I feel like I don't deserve the amount of detail and effort that went into even the little panels.much less the full-page spreads. The main attraction point is still the art, though. Maybe Yumeko is just like a stage-setter? Either way, I can't care less what happens to her, but everyone else is duking it out on the character bias list. Getting into the arcs with any other pair as the focus - Mary and Ririka, or Yumemi and her secretary - the story got a trillion times more compelling. I was kinda able to set aside my irritations when I decided that Yumeko was as much an audience surrogate as Suzui - they're both tools with which to let us the rest of the (far more interesting) cast at their extremes. and, if you do those things but completely populate the story with fascinating, complex, (and kinda evil), female characters, I will tear through the series in a week without showing the consequences of failure, the stakes mean nothing - which really doesn't work in a story completely based on stakes
having an all-capable, all-powerful, all-knowing, unconquerable protagonist who never fails is so boring 55.Īfter the anime got me fixated again I read these really quickly, so this review covers the entire series so far. Note for future me: the last translated chapter was ch.
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